Depth of field is usually not a problem with most 3D movies, with most films using the background as another canvas to impress the audience. While a more subtle effect, if you look beyond the 3D window carefully enough, what you find may surprise you. Free Guy is, again, unsurprising in the fact that it takes full advantage of picture depth, especially with Guy’s heads up display view of some sequences. Characters and their environments are clearly delineated, so much so that there’s an extra pop when you shift focus from character to background, and back again. Plus, the sequence where Guy and Millie are driving away from a city that’s literally closing in around them is a true standout in terms of the depth drawn in that ever shrinking canyon of doom.